Scores (folders 168-263)

168. Miscellaneous compositions (Untitled Compositions; Turning On the Memories; Co-hearsed; The Lands Below the Oceans; Untitled Composition)

169. Feeling Weatherly (‘88)

170. I Love You With Some Buts (‘87 & ’89)

171. Falling About Face (‘78)

172. To Love Today Is Best (‘86)

173. Interiors (‘88)

174. Miscellaneous compositions (Eastern Airlines; When Love Turns A Cheek, Love Kisses The Other; “Good Evening Your Grace” / “Good Evening My Lord”; Serene Contemplation; [Untitled composition]; Visiting Other People’s Lives; Half Way To Everywhere; I Don’t Want to Miss a Minute of You; We Have An Ear for Pain; Checks and Balances; [Untitled composition]; The Latest Thing in the Magazine; Clare Fischer; [Untitled composition by Arthur Stoeller])

175. Get A Life (‘89)

176. It’s Not the Heat, It’s the Humility (‘91)

177. You’re Real Corporate, You’ll Do Great (‘90)

178. “Do Take the Camel Hair!” “No, I’ll Take the Vicuna!” (‘91)

179. Birthdays (‘85)

180. “Suite” Death By Dramatic Insult: “My Name Is We The People” (‘86)

181. The Standing Motorist (‘97)

182. Salary Road (‘95)

183. [Untitled composition]

184. My Mercurial Friends (‘94)

185. Miscellaneous compositions (If You Come Back; Know Your X’s and O’s/Babe Ruth/Video Grandstand; Know Your X’s and O’s)

186. Jazz for the Silent Majority (‘93)

187. Movies (‘90)

188. Transpositions

189. Music: The Elixir of Life (‘84)

190. Voice of Illness (‘89)

191. Miscellaneous Compositions (Why Are You Blue? by Gary McFarls, arr. Bobby Paunetto; [Untitled composition, by unknown composer]; Coral; Send to Me Your Letter Box; [Untitled Composition (‘92)]; [Untitled compositions]; The Contra-Bean; Badassaro; Fenway; Babe Ruth (‘89))

192. Miscellaneous Compositions (The Sum of the People Equals; Mirror Images; Badassaro; Love Is Sufficient Onto Love; The Lands Below the Oceans; [Untitled composition]; A Lost Page; Weep)

193. Ask the Citizenry (‘87)

194. A Celebrated Case (‘85)

195. Alexandra the Great! (‘96)

196. From Humble Beginnings to Humble Conclusion (‘89)

197. Some Out-Patients (‘89)

198. I’m Dreamy Too! (‘92)

199. A Sail for Two Cities (‘89)

200. The Always Spotlite (‘95)

201. Anunciacao by Abraham Laboriel (‘76)

202. A Point Well Stolen

203. Insatiable You!

205. Miscellaneous (untitled) compositions

206. A Choice for Chance

207. Notebook of musical exercises and theory

208. Miscellaneous Compositions [by other composers unless otherwise noted] (How Insensitive (Insensatez); For V.C.; ”Brother” Will by Bobby Paunetto; Bluesette; Memories of Tomorrow; Peace/Short Snort; All I Want Is Your Loving; Mambo Son Con Pena arr. Bobby Paunetto; Grad Bucho by Bobby Paunetto; A Hybrid Situation by Bobby Paunetto; De Mi Amor by Bobby Paunetto; [Untitled composition by Bobby Paunetto (‘76)]; Aguantando; [Untitled composition by Bobby Paunetto]; Paunetto’s Point II by Bobby Paunetto (‘74); Straight, No Chaser; Heavy on Dee Bacon by Bobby Paunetto)

209. Art n Peg by Bobby Paunetto

210. Ballet by Mike Gibbs

212. Que Sigan La Commentando by Bobby Paunetto

213. Grow Your Own by Keith Jarrett

214. Miscellaneous Compositions [by other composers unless otherwise noted] (Free Fall; 502 Blues; Eiderdown; Have You Met Miss Jones; Israel; Whisper Not/Israel; Born to Be Blue; The Raven; The Breeze; [Untitled composition by Harry Drabkin]; [Untitled composition by Bobby Paunetto]; Jingle by Bobby Paunetto; Radio Jingle; Once Upon a Time That Never Was; Stretto 1 by Bobby Paunetto; Tones for Joan’s Bones; In Your Quiet Place; Jungle Warfare; Ostinato; Nowhere; Junto A Ti; [Untitled composition by Bobby Paunetto]; [Untitled composition]; Corta El Bonche; [Untitled composition]; Playboy; Profiles; [Untitled composition]; For Francis; Woodwind; Nuckle-Head; Longing; 853 Riverside Drive; On the Third Day)

215. [Untitled composition by Mike Gibbs]

216. Subtle Thoughts by Bobby Paunetto (‘71)

217. Morning Waltz by Kenny Werner

218. Litha by Chick Corea

219. Clair de Lune

220. Miscellaneous Compositions [by other composers unless otherwise noted] (Las Vegas Tango; Free Fall; [2 untitled compositions by Bobby Paunetto (‘78)]; Tell Me a Bedtime Story; [Untitled composition]; Slowly Gone--Bygone; Manteca; Triste; It Don’t Mean a Thing; Untitled Composition; The Rabbit; Round Midnight/Witchcraft; My Romance; Lonnie’s Lament; Short Snort; E.S.P.; Waltzin’)

221. Blue Bossa

222. Weep by Gary McFarland

223. Miscellaneous Compositions [many by other composers] (Melodic Embellishment; Joy Spring; Tune-Up; Seven Steps to Heaven; Take the “A” Train; Peri’s Scope; [Untitled composition]; Woody’n You; Like Someone [in Love?]; Little Sunflower; Fortune Smiles; [Untitled Composition]; Three Flowers; Nardis; Nardis/Minority; My Ship; [Untitled composition]; 3 Short Todays; June the Fifteenth, 1967; [Untitled composition]; Deluge; Crystal Silence; Semblance; [Untitled composition])

224. Windows by Chick Corea

225. Miscellaneous compositions [by other composers unless otherwise noted] ([Untitled composition by Bobby Paunetto]; 1st Etude by Alfred Uhl, arr. R. Ross; Passacaille; [Untitled composition]; Nonsequence; [Untitled composition]; Nuance; One Note Samba; Yellow is the Color; [Untitled composition by Bobby Paunetto]; Cuban Fantasy/Lady’s a Tramp; How My Heart Sings; Ida Lupino; I Don’t Know; Quiet Nights of Quiet Stars; Days and Nights Waiting; [Untitled composition by Thomas Pierson])

226. For You! My Friend? by Bobby Paunetto

227. Miscellaneous compositions [many by other composers] (Tu Desdicha; My Song; Day Waves by Chick Corea; Nearness of You; Flamingo; Que Sera; Para Ti; [Untitled composition]; Waltz for Maritza; -What’s New/Quizas, Quizas, Quizas; If You Would Take My Hand; My Friendship; Liturgy; I Should Care; MilesTones; Memories of Tomorrow; Oleo; You Don’t Know What Love Is; SJo; Ted Pease Hit by Bobby Paunetto; [Untitled composition])

228. Desert Air (unknown composer)

229. Miscellaneous compositions [by other composers unless otherwise noted] (Ear Training by Bobby Paunetto; [Untitled composition] by Bobby Paunetto and Tom Harrell (‘96); [Untitled composition by Bobby Paunetto (‘78)]; Now, Goodbye; [Untitled composition]; [Untitled composition by Bobby Paunetto (‘77)]; Cuando Regreses; Scales sheet; Como En Vietnam; Where’s Joe?; [Untitled composition by Bobby Paunetto]; Itno Del Sol; Rapport; All the Things You Are; [Untitled composition by D. Samuels]; Flashback; The Dolphin; Gloria’s Step; The Thrill is Gone; Mi Hermano; Walter L.; [Untitled composition by Thomas Pierson]; A Time for Love; Joann; Gittin’ Down; [Untitled composition]; Eye; Dolphin)

230. Miscellaneous compositions [by other composers unless otherwise noted] ([Untitled composition]; Crystal Silence; Good Bucks by Bobby Paunetto; Menuet; Gavotte/Bourree; Beneath it All; I Remember Clifford; [Untitled composition by D. Samuels]; [Untitled compositions; Prelude by Van Kriedt; Homage to Malcolm; One for Gunja; Waltz for a Lovely Wife; Soul Village; Something (Beatles); Illusions of...; Trackdown; [Untitled composition by Thomas Pierson]; [Untitled Composition])

231. Miscellaneous compositions [by other composers unless otherwise noted] (Junta; Three Loves; The Fields we Know; Good Bucks; [Untitled composition by R. Ross, arr. D Samuels]; Courante; B-G; Family Joy; What the World Needs Now; Glad Bag; Stella by Starlight; Portsmouth Figurations; I’m Your Pal; Elizete; Spanish Maiden by Bobby Paunetto; [Untitled compositions]; Perdido; [Untitled composition by Thomas Pierson]; Coral Keys/Waltz for Zweetie; [Untitled composition by Arthur Stoeller])

232. Composition Notes (Lullaby of the Leaves/You and the Night and the Music (same side of paper); Going Out of My Head; Assorted ”Composition Notes” pages)

233. Laura (lyrics by Johnny Mercer, Music by David Raksin)

234. Amalgam by James Burt

235. Miscellaneous Compositions (Fugue (Stretto 1); Beyond Content; Night Shift [unknown composer]; Blue by Todd Anderson; [Untitled drafts])

237. The Forensic Family (‘96)

238. Pathos (‘89)

239. Miscellaneous Compositions (Making Birth (‘93); Untitled compositions; Alexandra the Great)

240. Beautiful Lady

241. When You Come Back to Stay

242. Keep Laughing

243. [Untitled compositions]

244. He’s a Savings and Loan Kind of Guy! (‘95)

245. For Those With Nocturnals in Their Nature (‘92) [#23 written on original folder]

246. For Vince Guaraldi (‘94)

247. This Happy Feeling (‘80)

248. Foregrounds (‘86)

249. Galvanized Attention (‘86)

250. Miscellaneous Compositions [1984 Compositions 1] (Untitled compositions; The Gray Matter; Mr. Sinatra [draft]; Don’t Want No Collision; It’s the Fallacy of Moot; Terrestrial Life; Reconstituted; Venezia; The Beautifully Flawed Game)

251. Mambo Son Con Pena [1984 Compositions 2]

252. Miscellaneous compositions [1984 Compositions 3] (The Standing Motorist; [Untitled compositions]; Dirt Cheap Meets Dirt!; A Moment of Peace; Love Is Sufficient Onto Love; Aurora; She’s My Main Squeeze; Sweet Tears; Heart Eyes; Fortnight; New “Peace”)

253. Emotional Currency [1984 Compositions 4]

254. [Untitled composition] [1984 Compositions 5]

255. ”M & M” “Marilyn and Marty” / [untitled draft]

256. Miscellaneous compositions ([Untitled compositions]; Twelve tone row and various melodic affectations; The Foundlings; Say It Now!)

257. Miscellaneous compositions (Forked Ey; Untitled Compositions; For Marilyn & Marty (M & M) [draft]; Covering the Angel New Work! [draft]; Badassaro)

258. Carbon Base Units (‘88)

259. Lucid (‘78)

260. [Untitled composition] / Return to Forever...And More!

261. So Long...! (‘90)

262. [Untitled composition]

263. The Contra-Bean