Box 13

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials created and used by McGann while teaching at Berklee. Items of note include “The Guitar Tablature Reader’s Guide to Standard Notation,” written by McGann in 1990, dossiers submitted to Berklee when applying for a promotion within the college, and lesson materials in Celtic music and bluegrass. This series is arranged chronologically.

This series contains materials that provide more insight into McGann’s personal and professional lives. Items of note include book proposals, birthday cards, materials related to gigs with Wayfaring Strangers, and a thesis paper written about McGann by a student at the University of Limerick. This series is arranged chronologically.

This series contains materials that provide more insight into McGann’s personal and professional lives. Items of note include book proposals, birthday cards, materials related to gigs with Wayfaring Strangers, and a thesis paper written about McGann by a student at the University of Limerick. This series is arranged chronologically.