Box 10
Contains 38 Results:
Chelsea Bridge, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Goin Out Of My Head, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Alright, Okey, You Win, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Beethoven Sonata (Opus 2, No. 3), undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Sepia Panorama, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Killer Joe, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
River St. Marie, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
How Could You Do A Thing Like That to Me?, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
Swanee River, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
St. Thomas, undated
This series contains original and arranged music—handwritten, printed, and photocopied— for big and small bands. Most material is undated but generally represents Lewis's book from the late 1970s forward following a fire that destroyed most of his older arrangements. Many charts are assigned numbers; some works appear multiple times throughout the collection under various numbers and/or in combination with other pieces, suggesting their inclusion in more than one performance set.
